Music at Lark Hill Primary School
At Lark Hill, we believe that a high-quality music curriculum not only teaches children how to sing or play an instrument—it inspires creative expression, fosters self-confidence and connects pupils with diverse cultures and traditions.
Our goal is to nurture expressive, collaborative and reflective young musicians who have the confidence to express themselves musically, explore diverse genres and build a deep, lifelong appreciation for music.
Our music learning is deeply rooted in our four core school values:
- Respect: Children listen actively to music from a wide range of historical periods, styles, traditions and world cultures. They learn to respect differing musical traditions, artistic interpretations and the creative expressions of their peers.
- Responsibility: By taking care of musical instruments, collaborating respectfully in group ensembles and taking ownership of their performances, children connect music directly to our school ethos: Look after each other, look after our school, look after yourself.
- Creativity: Children engage creatively through improvisation, vocal exploration, rhythmic composition and experimenting with pitch, tempo and dynamics using classroom percussion and digital tools.
- Challenge: Children are challenged to master musical notation, refine vocal and instrumental technique, improvise within set structures and critically evaluate their own and others' musical compositions.
How We Teach Music: Our Approach
Music at Lark Hill is delivered as a weekly, progressive practical journey through the Charanga curriculum. The scheme uses a repetition-based, spiralled approach where key musical concepts; the interrelated dimensions of music (pulse, rhythm, pitch, tempo, dynamics, timbre, texture, structure and notation) are revisited and built upon continuously.
Each Charanga unit integrates six core strands of musical learning:
- Listen & Appraise: Exploring diverse styles, eras and instrumentation.
- Musical Games / Warm-ups: Internalising pulse, rhythm and pitch through movement and vocal games.
- Singing: Developing vocal range, clear diction, tone and harmony.
- Playing Instruments: Playing tuned and untuned percussion plus glockenspiels/recorders in KS2.
- Improvisation & Composition: Creating original musical ideas individually and in groups.
- Performing: Sharing and celebrating music with an audience.
Substantive & Disciplinary Musical Knowledge
Substantive Knowledge (Musical Content & Technical Skills): Understanding the building blocks of music; learning accurate musical terminology (e.g. Staccato, legato, crescendo, pentatonic), reading staff and graphic notation, recognising musical instruments and genres and mastering physical playing techniques.
Disciplinary Knowledge (Thinking & Acting like a Musician): Understanding how music works as an art form; critically analysing listening pieces, making choices about timbre and structure when composing, adapting performances based on peer feedback and evaluating the emotional impact of sound.
A Spiral Journey Through Sound
Our curriculum follows a spiral model. Every time a child encounters a musical concept such as pulse or pitch, they build directly upon what they learned previously, growing from simple body percussion in Early Years to complex polyrhythms, multi-part harmony and reading notation by Year 6.
What Music Looks Like in the Classroom
- EYFS (2s, Nursery, Reception): Music is woven into daily routines, storytelling, nursery rhymes and child-led continuous provision. Children explore untuned instruments, tap beats, sing daily and react physically to sound and silence.
- Key Stage 1: Pupils explore pulse, pitch and simple rhythms through Charanga’s interactive songs. They use untuned percussion, introduce glockenspiels, improvise short vocal or instrumental patterns and perform together as a class.
- Key Stage 2: Pupils deepen their instrumental skills (glockenspiels, untuned percussion and recorders). They learn to read formal music notation, compose multi-layered pieces, sing in two or more parts and critically appraise works across various historical periods and global traditions.
- Inclusive & Multi-Sensory: Charanga provides visual, auditory and kinaesthetic learning channels, including on-screen notation, animated rhythm grids and movement activities. This ensures all pupils, including those with SEND or EAL, can participate fully.
British Values Statement
British values, including mutual respect, tolerance of different faiths and cultures, individual liberty and democratic collaboration are embedded throughout our music curriculum. Through Charanga's global units, children listen to and celebrate musical genres created by communities across the world, exploring how music expresses individual identity and cultural unity. Group ensemble work requires active turn-taking, consensus-building and respectful collaboration.
Oracy in Music
In Music, talk and listening are essential to creative expression. High-quality oracy allows students to articulate musical observations, evaluate stylistic choices and collaborate effectively during composition. Guided by the Voice 21 Oracy Framework, we develop musical talk through four strands:
- Cognitive (Musical Reasoning): Students use talk to compare songs, explain how dynamic or tempo changes alter mood and justify compositional decisions.
- Linguistic (Musical Vocabulary): Students actively practice using precise musical language (e.g. pulse, rhythm, timbre, texture, tempo, crescendo, ostinato) using structured talk frames during listening and appraising activities.
- Physical (Performance & Expression): Students learn how vocal projection, posture, breathing and body language affect both singing performance and verbal presentations of their compositions.
- Social & Emotional (Collaborative Ensemble): Group composition and rehearsal require turn-taking, constructive critique, empathetic listening and shared decision-making.
Progression Overview by Class
Goldcrest | 2-Year-Olds
Two-Year-Olds: The Immediate Soundscape
Music is entirely sensory, physical and exploratory. The goal is to build an awareness of sound vs. silence, simple rhythms and the joy of vocalisation.
|
Term |
Knowledge & Skills |
|
Autumn Term |
Knowledge: Identifying environmental sounds and distinguishing sound from silence. Recognising familiar nursery rhymes. Skills: Joining in with action songs; banging untuned percussion instruments to explore sound creation. |
|
Spring Term |
Knowledge: Noticing loud vs. quiet sounds (dynamics) and fast vs. slow beats (tempo). Skills: Tapping body parts or instruments along with a strong beat; echoing simple vocal sounds. |
|
Summer Term |
Knowledge: Understanding that instruments can be played in different ways (shaken/tapped/scraped) Skills: Stopping and starting instrumental play in response to visual cues or music stopping. |
Nursery | Ages 3–4
Nursery: Exploring My Voice and Beats
Children explore vocal sounds, tap simple steady beats and begin to notice patterns in music.
|
Term |
Knowledge & Skills |
|
Autumn Term |
Knowledge: Knowing a growing repertoire of nursery rhymes and simple songs. Understanding that we can use our voices in different ways (speaking, singing, whispering). Skills: Keeping a steady pulse through clapping or patting knees while singing. |
|
Spring Term |
Knowledge: Understanding high and low sounds (pitch) through vocal play and story sounds. Skills: Playing untuned instruments with increasing control (e.g. triangle, maracas, drums). |
|
Summer Term |
Knowledge: Recognising that music can match different moods or feelings. Skills: Creating simple sound effects to accompany stories and performing simple songs together as a class. |
Reception | Ages 4–5
Reception: Charanga Early Years / Exploring Sound
Children develop rhythmic awareness, pitch discrimination and collaborative singing skills using Charanga EYFS units.
|
Term |
Knowledge & Skills |
|
Autumn Term |
Knowledge: Understanding steady beat, pulse vs. rhythm in simple rhymes. Learning how to hold and play basic percussion instruments correctly. Skills: Moving in time to a steady pulse; singing simple unison songs with actions. |
|
Spring Term |
Knowledge: Exploring pitch (higher/lower) and dynamics (louder/quieter) through Charanga songs. Skills: Experimenting with making sound patterns; performing simple vocal and instrumental responses. |
|
Summer Term |
Knowledge: Understanding that music can be represented visually (graphic notation/symbols). Skills: Improvising simple vocal/instrumental sounds; performing confidently for peers. |
EYFS End Goal: By the end of Reception, children achieve the Early Learning Goal (ELG): Being Imaginative and Expressive. They sing a range of well-known nursery rhymes and songs, perform songs/rhymes/poems with others and try to move in time with music.
Robins | Mixed Year 1 / Year 2 (2-Year Cycle)
Cycle A
|
Term |
Charanga Unit |
Focus Musical Concepts & Songs |
|
Autumn |
Hey You! |
Pulse, Rhythm & Pitch: Old School Hip-Hop. Finding pulse, clapping simple rhythms and singing/rapping together. |
|
Spring |
In the Groove |
Styles & Dynamics: Exploring 6 different styles (Blues, Baroque, Latin, Bhangra, Folk, Funk). Playing untuned percussion/glockenspiels on pitch. |
|
Summer |
Your Imagination |
Composition & Performance: Pop style. Using imagination to compose simple 2-note patterns and performing to an audience. |
Cycle B
|
Term |
Charanga Unit |
Focus Musical Concepts & Songs |
|
Autumn |
Hands, Feet, Heart |
Pulse & South African Music: Exploring freedom songs, rhythm, tempo and vocal harmony basics. |
|
Spring |
I Wanna Play in a Band |
Rock & Instrumental Play: Playing glockenspiel notes (C, D) to a steady rock beat. |
|
Summer |
Zootime |
Reggae & Improvisation: Reggae beat, improvising short rhythmic patterns and performing together. |
Starlings | Mixed Year 2 / Year 3 (2-Year Cycle)
Cycle A
|
Term |
Charanga Unit |
Focus Musical Concepts & Progression (Y2/Y3 Differentiation) |
|
Autumn |
Hands, Feet, Heart / How Does Music Bring Us Together? |
Pulse, Rhythm & Structure: Y2s focus on internalising pulse and simple melodic pitch. Y3s introduce basic staff notation and play 3-note melodic phrases on glockenspiels. |
|
Spring |
The Dragon Song |
Pentatonic Scales & World Music: Y2s sing in unison and play untuned rhythm patterns. Y3s improvise using the pentatonic scale and compose short melodic hooks. |
|
Summer |
Bringing Us Together |
Disco / Modern Styles & Performance: Y2s focus on performance confidence and clear diction. Y3s maintain independent instrumental parts within a multi-layered class ensemble. |
Cycle B
|
Term |
Charanga Unit |
Focus Musical Concepts & Progression (Y2/Y3 Differentiation) |
|
Autumn |
I Wanna Play in a Band / Glockenspiel Stage 1 |
Rock & Instrumental Technique: Y2s learn basic glockenspiel technique and pulse. Y3s follow formal dot/line notation and perform 3 to 4 note melodies accurately. |
|
Spring |
Three Little Birds |
Reggae & Off-Beat Rhythms: Y2s identify off-beat rhythms and sing with expression. Y3s accompany the song playing syncopated chord structures or instrumental riffs. |
|
Summer |
Reflect, Rewind & Replay |
Classical Music & History of Music: Y2s appraise classical composers and review key vocabulary. Y3s consolidate notation reading and compose an ensemble piece. |
Kestrels | Mixed Year 4 / Year 5 (2-Year Cycle)
Cycle A
|
Term |
Charanga Unit |
Focus Musical Concepts & Progression (Y4/Y5 Differentiation) |
|
Autumn |
Mamma Mia |
70s Pop / ABBA & Structure: Y4s identify verse, chorus and bridge structures. Y5s perform complex syncopated instrumental accompaniments on glockenspiel/recorder. |
|
Spring |
Stop! |
Grime / Hip-Hop & Performance with Purpose: Y4s focus on spoken rap rhythm, lyrics and pulse. Y5s compose original rap verses and structure dynamic arrangements addressing social issues. |
|
Summer |
Lean On Me |
Gospel / Soul & Multi-part Vocal Work: Y4s sing in unison with dynamic contrast. Y5s introduce 2-part harmony, vocal echoes and solo/chorus textures. |
Cycle B
|
Term |
Charanga Unit |
Focus Musical Concepts & Progression (Y4/Y5 Differentiation) |
|
Autumn |
Livin' On A Prayer / Glockenspiel Stage 2 |
Rock Anthems & Advanced Instrumental Play: Y4s read staff notation for 4–5 notes. Y5s play complex instrumental riffs in time with backings. |
|
Spring |
Classroom Jazz 1 |
Jazz, Blues & Swing: Y4s learn the 12-bar blues structure and swing rhythms. Y5s improvise solos over jazz chords using swing phrasing. |
|
Summer |
Dancing in the Street |
Motown & Historical Context: Y4s appraise Motown instrumentation and perform rhythm parts. Y5s analyse the socio-historical impact of Motown and arrange multi-part performances. |
Skylarks | Year 6 (Single Year Curriculum)
Straight Year 6 Curriculum
|
Term |
Charanga Unit |
Focus Musical Concepts & High-Level Skills |
|
Autumn |
Happy |
Neo-Soul / Pop & Solo/Ensemble Performance: Analysing song structure, polyrhythms and complex syncopation. Performing with accurate pitch, phrasing and dynamic expression. |
|
Spring |
Classroom Jazz 2 / You've Got A Friend |
Jazz Improvisation & 70s Ballads: Reading staff notation fluently. Complex improvisation using specific scales/chords. Singing and playing multi-part harmony with independent lines. |
|
Summer |
Music and Me / Reflect, Rewind & Replay |
Composition, Identity & History of Music: Composing original multi-layered pieces incorporating digital/acoustic soundscapes. Appraising music across history and reflecting on transition to KS3. |
Vocabulary Progression
Robins (Cycle A & Cycle B Focus)
|
Term / Cycle |
Topic / Unit |
Core Vocabulary (All Pupils) |
Charanga Disciplinary / Stretch (Year 2 Focus) |
|
Cycle A |
Hey You! / In the Groove / Your Imagination |
Pulse, Beat, Rhythm, Pitch, Loud, Quiet, Fast, Slow, Sing, Play |
Tempo, Dynamics, Glockenspiel, Perform, Improvise, Style, Unison |
|
Cycle B |
Hands, Feet, Heart / I Wanna Play / Zootime |
Pattern, Melody, Song, Instrument, Percussion, Chorus, Verse |
Accompaniment, Rhythm Pattern, Call and Response, Structure |
Starlings (Cycle A & Cycle B Focus)
|
Term / Cycle |
Topic / Unit |
Core Vocabulary (All / Year 2 Focus) |
Charanga Disciplinary & Concept Words (Year 3 Focus) |
|
Cycle A |
Hands, Feet, Heart / Dragon Song / Bringing Us Together |
Pulse, Tempo, Pitch, Dynamics, Verse, Chorus, Unison, Rhythm |
Pentatonic Scale, Notation, Staff Notation, Composition, Texture, Hook |
|
Cycle B |
I Wanna Play / Three Little Birds / Reflect, Rewind |
Off-beat, Riff, Melody, Glockenspiel, Perform, Audience |
Syncopation, Classical, Appraise, Ensemble, Ostinato, Bar |
Kestrels (Cycle A & Cycle B Focus)
|
Term / Cycle |
Topic / Unit |
Core Vocabulary (All / Year 4 Focus) |
UKS2 Disciplinary & Concept Words (Year 5 Focus) |
|
Cycle A |
Mamma Mia / Stop! / Lean on Me |
Structure, Bridge, Harmony, Unison, Vocal, Dynamics, Rap |
Polyphonic, 2-Part Harmony, Social Context, Arrangement, Phrasing |
|
Cycle B |
Livin' On A Prayer / Jazz 1 / Dancing in the Street |
Staff Notation, Clef, Stave, Blues, Swing, Solo, Motown |
12-Bar Blues, Syncopated Riff, Improvised Solo, Timbre, Subdominant |
Skylarks (Year 6 Focus)
|
Term |
Topic / Unit |
Core Disciplinary Vocabulary |
Advanced Conceptual Vocabulary |
|
Autumn |
Happy |
Neo-Soul, Polyrhythm, Dynamic Contrast, Phrasing, Pitch Accuracy |
Complex Syncopation, Counter-Melody, Dynamic Nuance |
|
Spring |
Classroom Jazz 2 / You've Got A Friend |
Jazz Standard, Improvise, Chord Progression, Major, Minor |
Pentatonic/Blues Scale Soloing, Harmonic Structure, Transposition |
|
Summer |
Music and Me / Reflect & Replay |
Composition, Multi-track, Acoustic, Digital, Identity, Genre |
Musical Identity, Cultural Context, Soundscape, Historical Analysis |
Assessment, Evidence, and Curriculum Impact
The impact of our Music curriculum is monitored and measured through a variety of formative and summative approaches:
- Teacher Assessment & Pupil Voice: Teachers assess musical progress using professional judgment, observing practical execution, vocal control, instrumental accuracy and contribution to musical discussions. Pupils participate in pupil voice meetings to discuss their musical journey and demonstrate their learning. The teachers use the Charanga teacher assessment documents to ensure if the children are at age expected or not.
- Recapping & Sticky Knowledge: Every lesson begins with a brief recap of prior musical learning; recalling rhythm patterns, singing warm-ups or listening appraise comparisons. Sticky knowledge that has not been retained is re-embedded through warm-up games.
- Digital Evidence & Performance Audio/Video: Audio and video recordings of class performances, compositions and improvisations are captured at the end of each Charanga unit. This allows children to reflect on, appraise and celebrate their growth over time.
- End-of-Unit Performance Tasks: At the conclusion of each unit, children participate in a final performance task (singing, playing instruments or presenting an original composition).